{"id":11579,"date":"2023-08-24T20:25:14","date_gmt":"2023-08-24T19:25:14","guid":{"rendered":"https:\/\/londoncult.co.uk\/?p=11579"},"modified":"2024-07-10T11:03:33","modified_gmt":"2024-07-10T10:03:33","slug":"the-belarus-free-theatre-stages-a-production-of-the-novel-by-a-belarus-writer-vladzimir-karatkevich-at-the-barbican","status":"publish","type":"post","link":"https:\/\/londoncult.co.uk\/en\/the-belarus-free-theatre-stages-a-production-of-the-novel-by-a-belarus-writer-vladzimir-karatkevich-at-the-barbican\/","title":{"rendered":"The Belarus Free Theatre stages a production of the novel by a Belarus writer Vladzimir Karatkevich at the Barbican"},"content":{"rendered":"<p class=\"s3\"><span class=\"s5\"><span class=\"bumpedFont15\">In the production by the artistic directors of BFT Nikolai Khalezin and Natalia Kal<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">i<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">ada, <\/span><\/span><span class=\"s6\"><span class=\"bumpedFont15\">King Stakh&#8217;s Wild Hunt<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\"> is presented as a dialog<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">ue<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\"> between different art forms, in which opera, <\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">theatre<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\"> and live music are intertwined. Such a multimedia approach was <\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">derived from<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\"> the <\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">mutual<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\"> desire of the whole team to tell about the events rooted in the history of Belarus and <\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">that have<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\"> a <\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">striking<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">relation to modern Europe and<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\"> the<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\"> indifference to cruelty<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">.<\/span><\/span><\/p>\n<p class=\"s7\"><span class=\"s5\"><span class=\"bumpedFont15\">This production features actors, opera singers and musicians from Belarus and Ukraine, many of whom have been forced to flee their homelands because of war or dictatorship. This is the BFT&#8217;s most ambitious artistic <\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">venture<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\"> in its history, as well as a demonstration of moral solidarity between Belarusians and Ukrainians who speak out in absolute condemnation of the war in Ukraine. This production features a moving <\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">part<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\"> by<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\"> a<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\"> composer Olga Podhajska, conducted by Vitaliy Alekseenok, with the principal roles sung by Ukrainian baritone Andriy Bondarenko and Ukrainian soprano Tamara Kalinkina.<\/span><\/span><\/p>\n<p class=\"s7\"><span class=\"s6\"><span class=\"bumpedFont15\">King Stach&#8217;s Wild Hunt<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\"> is one of the most popular novels by the outstanding Belarusian writer Vlad<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">z<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">imir Karatkevich. Inspired by Eastern European folklore, it tells of the ghostly pursuit of a young heiress struck by an evil curse. Written in the summer of 1950, the story in the Belarusian language saw <\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">it publication<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\"> only in 1964. The story is <\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">narrated by<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\"> the main character, who is already 96 years old at the time. His narration is voiced by the late Andrei Kali<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">a<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">da, Natalia Kali<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">a<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">da&#8217;s father, and excerpts are taken from an audiobook he recorded back in 2009 based on the novel by Vlad<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">z<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">imir Karatkevich.<\/span><\/span><\/p>\n<p class=\"s7\"><span class=\"s5\"><span class=\"bumpedFont15\">The story itself begins in the late fall of 1888, when a young ethnographer, Andrei Belaretsky, sets out on a journey through the most remote parts of Belorussia. Caught in a storm, he is forced to take refuge in a vast castle called Swamp Spruces, home to the aristocratic Yano<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">u<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">sk<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">a<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">y<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">a<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\"> family. There, teenager Nad<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">ze<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">a Yano<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">u<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">sk<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">a<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">y<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">a<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\"> tells Andrei that her family has been cursed for twenty generations and that she, as the last of her family, is tormented by visions of sudden and violent death. Andrei agrees to help Nadz<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">e<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">a free herself from the ancient curse, but as he begins to unravel the mysteries of the Yano<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">u<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">sk<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">a<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">y<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">a<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\"> family, he too becomes the target of the Wild Hunt, murderous ghostly figures haunting the Marsh Firs estate. It&#8217;s up to Andrei to uncover the truth about these otherworldly hunters in order to spare Nadz<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">e<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">a from a terrible fate and lift the curse that has hung over the noble family for so long.<\/span><\/span><\/p>\n<p class=\"s7\"><span class=\"s5\"><span class=\"bumpedFont15\">According to the director, Natalia Kal<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">i<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">ada, this production has been planned for many years. Her father, the late Andrei Kaliada, told her from childhood about the importance of Vlad<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">z<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">imir Karatkevich<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">\u2019<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">s work, and not only because <\/span><\/span><span class=\"s6\"><span class=\"bumpedFont15\">King Stakh&#8217;s Wild Hunt<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">became one of the most important Belarus works of the last century. Andrei Kaliada always <\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">realised<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\"> the incredible relevance of this work, written more than half a century ago. Today, when Belarus is being held hostage by a permanent dictator and civilians are dying every day in the war in Ukraine, <\/span><\/span><span class=\"s6\"><span class=\"bumpedFont15\">King Stakh&#8217;s Wild Hunt<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\"> is meant to remind people all over Europe that the mistakes of the past have not yet been corrected and Eastern Europe needs worldwide support and solidarity more than ever.<\/span><\/span><\/p>\n<p class=\"s7\"><span class=\"s5\"><span class=\"bumpedFont15\">The production is also interesting in that all dialogues and songs will be <\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">performed<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\"> in Belarusian and subtitles will be provided for <\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">the <\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">English-speaking audienc<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">e<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">. Barbican <\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">is <\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">also invit<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">ing<\/span><\/span> <span class=\"s5\"><span class=\"bumpedFont15\">everyone<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">for a conversation <\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">with <\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">the <\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">BFT <\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">creative directors<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\"> at a seminar before the evening performance on Saturday, September 16.<\/span><\/span><\/p>\n<p class=\"s7\"><span class=\"s5\"><span class=\"bumpedFont15\">Tickets for the production and the workshop can be purchased <\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">vis<\/span><\/span><span class=\"s5\"><span class=\"bumpedFont15\">the links below:<\/span><\/span><\/p>\n<p class=\"s7\"><span class=\"s8\"><span class=\"bumpedFont15\">https:\/\/www.barbican.org.uk\/whats-on\/2023\/event\/belarus-free-theatre-king-stakhs-wild-hunt <\/span><\/span><\/p>\n<p><a href=\"https:\/\/www.barbican.org.uk\/whats-on\/2023\/event\/belarus-free-theatre-in-conversation\" rel=\"nofollow noopener\" target=\"_blank\"><span class=\"s8\"><span class=\"bumpedFont15\">https:\/\/www.barbican.org.uk\/whats-on\/2023\/event\/belarus-free-theatre-in-conversation<\/span><\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Belarus Free Theatre (BFT) is returning to London with a production of the historical novel by a Belarus writer Vladzimir Karatkevich. The world premiere of King Stach\u2019s Wild Hunt, staged by one of the bravest theatre companies in the world, will take place at the Barbican Centre this September. There are currently 4 performances scheduled between September 14-16.<\/p>\n","protected":false},"author":23,"featured_media":11164,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[86,95],"tags":[],"type_post":[],"column":[],"class_list":["post-11579","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","category-news"],"_links":{"self":[{"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/posts\/11579","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/comments?post=11579"}],"version-history":[{"count":0,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/posts\/11579\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/media\/11164"}],"wp:attachment":[{"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/media?parent=11579"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/categories?post=11579"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/tags?post=11579"},{"taxonomy":"type_post","embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/type_post?post=11579"},{"taxonomy":"column","embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/column?post=11579"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}