{"id":19613,"date":"2024-01-30T05:28:43","date_gmt":"2024-01-30T04:28:43","guid":{"rendered":"https:\/\/londoncult.co.uk\/?p=19613"},"modified":"2024-07-08T13:26:29","modified_gmt":"2024-07-08T12:26:29","slug":"pace-gallery-has-announced-the-death-of-robert-whitman-at-the-age-of-88","status":"publish","type":"post","link":"https:\/\/londoncult.co.uk\/en\/pace-gallery-has-announced-the-death-of-robert-whitman-at-the-age-of-88\/","title":{"rendered":"PACE Gallery has announced the death of Robert Whitman at the age of 88"},"content":{"rendered":"<p class=\"s3\"><span class=\"s4\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">&#8220;Action painting&#8221; by Jackson Pollock encouraged a group of young artists Robert Whitman, Allan Kaprow, Claes Oldenburg, Al Hansen, Red Grooms and Jim Dean to form a new movement in <\/span><\/span><span class=\"s4\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">contemporary<\/span><\/span><span class=\"s4\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\"> art between 1959-1963.<\/span><\/span><\/p>\n<p class=\"s3\"><span class=\"s4\"><span class=\"bumpedFont15\">&#8220;The thing that interests me most about theatre is that it takes time. Time is the <\/span><\/span><span class=\"s4\"><span class=\"bumpedFont15\">key<\/span><\/span><span class=\"s4\"><span class=\"bumpedFont15\"> material for me&#8221; &#8211; Robert Whitman.<\/span><\/span><\/p>\n<p class=\"s3\"><span class=\"s4\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">Robert Whitman, who aspired to be a playwright early on, described his first works as theatre pieces. In 1960, at the Rueben Gallery, in a dilapidated attic at the south end of Fourth Avenue in Manhattan, he presented his first major performance, <\/span><\/span><span class=\"s4\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">\u2018<\/span><\/span><span class=\"s4\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">American Moon<\/span><\/span><span class=\"s4\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">\u2019<\/span><\/span><span class=\"s4\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">: a series of wordless, atavistic acts among humble materials: <\/span><\/span><span style=\"letter-spacing: 0em;\">sawdust, crumpled paper, and burlap.<\/span><\/p>\n<figure id=\"attachment_19604\" aria-describedby=\"caption-attachment-19604\" style=\"width: 991px\" class=\"wp-caption alignnone\"><a ref=\"magnificPopup\" href=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2024\/01\/img_3340.png\" data-lbwps-width=\"991\" data-lbwps-height=\"645\" data-lbwps-srcsmall=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2024\/01\/img_3340-600x391.png\"><img decoding=\"async\" class=\"size-full wp-image-19604\" src=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2024\/01\/img_3340.png\" alt=\"\" width=\"991\" height=\"645\" srcset=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2024\/01\/img_3340.png 991w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2024\/01\/img_3340-902x587.png 902w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2024\/01\/img_3340-730x475.png 730w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2024\/01\/img_3340-600x391.png 600w\" sizes=\"(max-width: 991px) 100vw, 991px\" \/><\/a><figcaption id=\"caption-attachment-19604\" class=\"wp-caption-text\">Robert Whitman&#8217;s first Happening, &#8220;American Moon,&#8221; Rueben Gallery, 1960, Manhattan.<\/figcaption><\/figure>\n<p class=\"s3\"><span class=\"s4\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">In <\/span><\/span><span class=\"s4\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">\u2018<\/span><\/span><span class=\"s4\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">Bathroom Sink<\/span><\/span><span class=\"s4\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">\u2019<\/span><\/span><span class=\"s4\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\"> (1964), Whitman experimented with projected images. A sink and a mirror were mounted on the same wall while the projection reflected off the mirror, which showed a woman going through her morning routine in the bathroom. As the viewer walked between the sink\/mirror and the projection, they became part of the work.<\/span><\/span><\/p>\n<p class=\"s3\"><span class=\"s4\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">In 1965, Whitman debuted <\/span><\/span><span class=\"s4\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">\u2018<\/span><\/span><span class=\"s4\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">Prune Flat<\/span><\/span><span class=\"s4\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">\u2019<\/span><\/span><span class=\"s4\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">, a work that included both live actors and projections. <\/span><\/span><span class=\"s4\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">\u2018<\/span><\/span><span class=\"s4\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">Prune Flat<\/span><\/span><span class=\"s4\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">\u2019<\/span><\/span><span class=\"s4\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">was presented in several Broadway <\/span><\/span><span class=\"s4\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">theaters<\/span><\/span><span class=\"s4\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">. In 1967, Whitman showed his first solo exhibition<\/span><\/span><span class=\"s4\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\"> \u2019<\/span><\/span><span class=\"s4\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">The Wavy Red Line<\/span><\/span><span class=\"s4\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">&#8216;<\/span><\/span><span class=\"s4\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\"> at the PACE Gallery. The exhibition consisted of a &#8220;dancing&#8221; red laser that was projected onto the walls of the gallery. Whitman created this work in collaboration with Eric Rawson, an engineer at Bell Labs.<\/span><\/span><\/p>\n<figure id=\"attachment_19606\" aria-describedby=\"caption-attachment-19606\" style=\"width: 1920px\" class=\"wp-caption alignnone\"><a ref=\"magnificPopup\" href=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2024\/01\/img_3339.jpeg\" data-lbwps-width=\"2000\" data-lbwps-height=\"1334\" data-lbwps-srcsmall=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2024\/01\/img_3339-600x400.jpeg\"><img decoding=\"async\" class=\"size-full wp-image-19606\" src=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2024\/01\/img_3339-scaled.jpeg\" alt=\"\" width=\"1920\" height=\"1281\"><\/a><figcaption id=\"caption-attachment-19606\" class=\"wp-caption-text\">Installation by Robert Whitman, PACE Gallery, New York,<br \/>26 October &#8211; 21 December 2018. \u00a9 Robert Whitman<br \/>26 \u043e\u043a\u0442\u044f\u0431\u0440\u044f &#8211; 21 \u0434\u0435\u043a\u0430\u0431\u0440\u044f 2018 \u0433. \u00a9 \u0420\u043e\u0431\u0435\u0440\u0442 \u0423\u0438\u0442\u043c\u0435\u043d<\/figcaption><\/figure>\n<p class=\"s3\"><span style=\"letter-spacing: 0em;\">Whitman was a long-time collaborator with optical scientist John Forkner. Their work together began by combining a mirror, light, and sound installation for the Art and Technology exhibition at the Los Angeles County Museum of Art in 1971. They developed an optical system that allowed real images to float in space. The images appeared and disappeared in a space consisting of wall-mounted 6-inch angled projectors in which visitors saw multiple images of themselves.<\/span><\/p>\n<p class=\"s3\"><span style=\"letter-spacing: 0em;\">Whitman co-founded Experiments in Art and Technology with engineers Billy Kluwer, Fred Waldhauer, and artist Robert Rauschenberg. The artist was given access to new technologies, so he spent a lot of time in research institutes and laboratories.<\/span><\/p>\n<figure id=\"attachment_19608\" aria-describedby=\"caption-attachment-19608\" style=\"width: 1017px\" class=\"wp-caption alignnone\"><a ref=\"magnificPopup\" href=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2024\/01\/img_3341.png\" data-lbwps-width=\"1017\" data-lbwps-height=\"672\" data-lbwps-srcsmall=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2024\/01\/img_3341-600x396.png\"><img decoding=\"async\" class=\"size-full wp-image-19608\" src=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2024\/01\/img_3341.png\" alt=\"\" width=\"1017\" height=\"672\" srcset=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2024\/01\/img_3341.png 1017w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2024\/01\/img_3341-902x596.png 902w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2024\/01\/img_3341-719x475.png 719w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2024\/01\/img_3341-600x396.png 600w\" sizes=\"(max-width: 1017px) 100vw, 1017px\" \/><\/a><figcaption id=\"caption-attachment-19608\" class=\"wp-caption-text\">Artist Robert Whitman at PACE Gallery, Manhattan, January, 2023.<\/figcaption><\/figure>\n<p class=\"s3\"><span class=\"s4\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">Robert Whitman created over forty works, nine of which, spanning from 1976 to 1983, were created with the support of the Dia Art Foundation. Whitman&#8217;s work is in numerous collections worldwide, including Center Pompidou, Paris; Dia Art Foundation, New York; Moderna Museet, Stockholm; Museo Nacional Centro de Arte Reina Sof<\/span><\/span><span class=\"s4\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">\u00ed<\/span><\/span><span class=\"s4\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">a, Madrid; Museum of Contemporary Art, Los Angeles; Museum of Modern Art, New York; Smithsonian American Art Museum, Washington, DC; Walker Art Center, Minneapolis, and many others.<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Robert Whitman, an American multimedia artist, was best known for his Happenings and performances of the early 1960s that combined visual and sound imagery.<\/p>\n","protected":false},"author":67,"featured_media":19614,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[86,84],"tags":[],"type_post":[],"column":[],"class_list":["post-19613","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","category-people"],"_links":{"self":[{"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/posts\/19613","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/users\/67"}],"replies":[{"embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/comments?post=19613"}],"version-history":[{"count":0,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/posts\/19613\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/media\/19614"}],"wp:attachment":[{"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/media?parent=19613"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/categories?post=19613"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/tags?post=19613"},{"taxonomy":"type_post","embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/type_post?post=19613"},{"taxonomy":"column","embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/column?post=19613"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}