{"id":22126,"date":"2024-03-06T01:33:53","date_gmt":"2024-03-06T00:33:53","guid":{"rendered":"https:\/\/londoncult.co.uk\/?p=22126"},"modified":"2024-03-06T01:33:53","modified_gmt":"2024-03-06T00:33:53","slug":"dimitris-papaioannous-ink-a-story-that-drowned-in-an-inch-of-water-sadlers-wells-stage","status":"publish","type":"post","link":"https:\/\/londoncult.co.uk\/en\/dimitris-papaioannous-ink-a-story-that-drowned-in-an-inch-of-water-sadlers-wells-stage\/","title":{"rendered":"Dimitris Papaioannou\u2019s INK:  A Story that Drowned in an Inch of Water Sadler\u2019s Wells\u2019 Stage"},"content":{"rendered":"<figure id=\"attachment_21994\" aria-describedby=\"caption-attachment-21994\" style=\"width: 440px\" class=\"wp-caption alignnone\"><a ref=\"magnificPopup\" href=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2024\/03\/img_5189.jpeg\" data-lbwps-width=\"440\" data-lbwps-height=\"659\" data-lbwps-srcsmall=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2024\/03\/img_5189.jpeg\"><img decoding=\"async\" class=\"size-full wp-image-21994\" src=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2024\/03\/img_5189.jpeg\" alt=\"\" width=\"440\" height=\"659\" srcset=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2024\/03\/img_5189.jpeg 440w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2024\/03\/img_5189-200x300.jpeg 200w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2024\/03\/img_5189-317x475.jpeg 317w\" sizes=\"(max-width: 440px) 100vw, 440px\" \/><\/a><figcaption id=\"caption-attachment-21994\" class=\"wp-caption-text\">Photograph of Dimitris Papaioannou taken in April 2019 \/ Wikipedia<\/figcaption><\/figure>\n<p class=\"s5\"><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">Twenty years later, he still embraces this distinctive relationship between the setting and \u00a0movement, amplifying the effect of the dark and silent scenes in <\/span><\/span><span class=\"s7\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">INK<\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\"> with water. Though, there is too much of it! The performance feels rather diluted with motionless and often confusing silent rituals in the background of water running against a plastic curtain. It is hard to look away from the performance, that is so oversaturated with watered-down symbolism, in an attempt to find a sign of the promised <\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">\u201c<\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">hyper-visual dance theatre<\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">\u201d<\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">.<\/span><\/span><\/p>\n<p class=\"s5\"><span class=\"s6\"><span class=\"bumpedFont15\">A german dancer <\/span><\/span><span class=\"s6\"><span class=\"bumpedFont15\">\u0160<\/span><\/span><span class=\"s6\"><span class=\"bumpedFont15\">uka Horn assists <\/span><\/span><span class=\"s6\"><span class=\"bumpedFont15\">Papaioannou<\/span><\/span><span class=\"s6\"><span class=\"bumpedFont15\"> on stage in this uneasy task to strike with the depth of this sinking performance, as both artists engage in a <\/span><\/span><span class=\"s6\"><span class=\"bumpedFont15\">\u201c<\/span><\/span><span class=\"s6\"><span class=\"bumpedFont15\">nightmarish manhunt<\/span><\/span><span class=\"s6\"><span class=\"bumpedFont15\">\u2026<\/span><\/span><span class=\"s6\"><span class=\"bumpedFont15\">testing the limits of reality<\/span><\/span><span class=\"s6\"><span class=\"bumpedFont15\">\u201d<\/span><\/span><span class=\"s6\"><span class=\"bumpedFont15\">. In reality, the depth of this performance is limited to the few inches of water on Sadler<\/span><\/span><span class=\"s6\"><span class=\"bumpedFont15\">\u2019<\/span><\/span><span class=\"s6\"><span class=\"bumpedFont15\">s Wells stage, and as the two engage in a dance, it is soon over and replaced by a variety of props and <\/span><\/span><span class=\"s6\"><span class=\"bumpedFont15\">paraphernalia<\/span><\/span><span class=\"s6\"><span class=\"bumpedFont15\"> for the artists to play with in the water. Finally, at the end of it, they conceive a half-human, half-octopus baby creature, which they later consume together. <\/span><\/span><\/p>\n<p><iframe title=\"12 - 27.01.2023 Dimitris Papaioannou: INK\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/ENdqD4NAG2M?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p class=\"s5\"><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">However, it is <\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">undoubtedly<\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\"> possible to <\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">recognise<\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\"> that, even with the extremely unimpressive choreographic component of the show, the water scenery is <\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">mesmerising<\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">. The choreographer, who <\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">worked<\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\"> independently <\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">almost<\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\"> on every detail of the performance, was able to create a truly interesting visual picture, which clearly shows his extraordinary vision of <\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">theatre<\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">. The play of light and water, as well as the contrast of black and white, expressed through the stage appearance of the actors<\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\"> \u2014 <\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">the black clothes of Papaioannou against the phosphoric glow of Horn<\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">\u2019<\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">s naked body<\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">\u2014 <\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">create a truly sensual atmosphere of mysticism and the <\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">otherworldly<\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">.<\/span><\/span><\/p>\n<p class=\"s5\"><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">At the same time, it should also be noted that the plot is set in a swamp, reflecting the inner world of a lonely and <\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">ageing<\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\"> man. Papaioannou <\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">succeeded in creating<\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\"> such an image with <\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">remarkable<\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\"> precision; both the beauty and the tragedy of human life and human relationships, which the choreographer sought to express through dance, are most powerfully traced in the moving scenery of the stage. On the other hand, the water, which invariably shimmers in small waves across the stage with every step <\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">the <\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">dancers<\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\"> take<\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">, seems to live its own separate life and, thus becoming an independent character in this show, simultaneously overshadows both Papaioanna and Horn.<\/span><\/span><\/p>\n<p class=\"s5\"><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">It is often hard to immediately take away something from a performance that strives so hard to be an epitome of contemporary theatre. It takes time to take in and comprehend most modern art, for it is modern for a reason <\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">\u2014 <\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">it is new and might not be understood completely yet. However, <\/span><\/span><span class=\"s7\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">INK<\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\"> pushes the limits not of reality but of acceptability to be able to perform a show, the depth of which is lost in a shallow attempt of replacing movement with silence, nudity and a sole expectation of emotion from the viewer.<\/span><\/span><\/p>\n<p class=\"s5\"><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">Despite the truly amazing job done by PR and press, <\/span><\/span><span class=\"s7\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">INK<\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\"> is underwhelming and boring as after the initial amazement from seeing the stage of Sadler<\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">\u2019<\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">s Wells filled with water fades, the viewer is left to ponder for an hour on the moving blinks of light reflected in the water while <\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\">Papaioannou<\/span><\/span><span class=\"s6\" style=\"letter-spacing: 0em;\"><span class=\"bumpedFont15\"> and Horn play with a hose and a disco ball.<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dimitris Papaioannou, the famous Greek maverick of choreography, has returned to Sadler\u2019s Wells for his third show \u2014 INK. It would be fair to say that this performance is a striking difference from his previous works! With this performance, the choreographer strives away from the lightness of movement incorporated with the striking visual novelty of the setting that once led him to become the youngest artist in history to direct the Summer Olympic Games Opening Ceremony in 2004.<\/p>\n","protected":false},"author":23,"featured_media":22005,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[86,144,84],"tags":[],"type_post":[],"column":[],"class_list":["post-22126","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","category-lifestyle","category-people"],"_links":{"self":[{"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/posts\/22126","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/comments?post=22126"}],"version-history":[{"count":0,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/posts\/22126\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/media\/22005"}],"wp:attachment":[{"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/media?parent=22126"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/categories?post=22126"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/tags?post=22126"},{"taxonomy":"type_post","embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/type_post?post=22126"},{"taxonomy":"column","embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/column?post=22126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}