{"id":51686,"date":"2025-07-04T07:51:12","date_gmt":"2025-07-04T06:51:12","guid":{"rendered":"https:\/\/londoncult.co.uk\/?p=51686"},"modified":"2025-07-04T07:51:30","modified_gmt":"2025-07-04T06:51:30","slug":"straw-gold-and-stars-kiefer-and-van-gogh-at-the-royal-academy-of-arts","status":"publish","type":"post","link":"https:\/\/londoncult.co.uk\/en\/straw-gold-and-stars-kiefer-and-van-gogh-at-the-royal-academy-of-arts\/","title":{"rendered":"Straw, Gold, and Stars: Kiefer and Van Gogh at the Royal Academy of Arts"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Anselm Kiefer, a German artist with nearly six decades of experience, openly acknowledges Van Gogh as his first teacher. Born in the final months of World War II and growing up amid postwar devastation, Kiefer was more than inspired by Van Gogh. At 18, he received a grant and traveled along his idol\u2019s path \u2014 through the Netherlands, Belgium, Paris, and Arles. He painted like Van Gogh. He thought like Van Gogh. Perhaps he even ate and slept like him. Now, the pinnacle of his obsession is this exhibition, where Kiefer officially earns the right to \u201cconverse\u201d with his idol as an equal.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a ref=\"magnificPopup\" href=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8762.jpeg\" data-lbwps-width=\"4032\" data-lbwps-height=\"3024\" data-lbwps-srcsmall=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8762-600x450.jpeg\"><img decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8762-1024x768.jpeg\" alt=\"\" class=\"wp-image-51423\" srcset=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8762-1024x768.jpeg 1024w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8762-600x450.jpeg 600w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8762-633x475.jpeg 633w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Photo by Alexander Tatiev<\/figcaption><\/figure>\n<\/div>\n\n\n<p>The exhibition at the RA highlights both shared motifs and contrasts in temperament. Van Gogh is about line, color, and inner tension. Kiefer is about texture, mass, materiality, sometimes verging on architecture. His massive works are not just to be observed \u2014 they engulf you. Viewers confront enormous canvases crafted from oil, ash, straw, steel, and gold leaf. It\u2019s a landscape you want to step into but find slightly intimidating.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a ref=\"magnificPopup\" href=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8767.jpeg\" data-lbwps-width=\"4032\" data-lbwps-height=\"3024\" data-lbwps-srcsmall=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8767-600x450.jpeg\"><img decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8767-1024x768.jpeg\" alt=\"\" class=\"wp-image-51433\" srcset=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8767-1024x768.jpeg 1024w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8767-600x450.jpeg 600w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8767-633x475.jpeg 633w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Photo by Alexander Tatiev<\/figcaption><\/figure>\n<\/div>\n\n\n<p>The curators create a delicate interplay. Kiefer\u2019s paintings hang alongside Van Gogh\u2019s landscapes from the Amsterdam museum\u2019s collection. There are more direct connections too: Kiefer\u2019s giant sunflower growing from a pile of books visually \u201cconverses\u201d with Van Gogh\u2019s drawing, \u201cPiles of French Novels.\u201d Literature is key for both artists. Van Gogh\u2019s legacy includes his quotes, letters, and philosophy; Kiefer\u2019s features lead-cast books and gilded sunflower seeds cascading onto pages.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a ref=\"magnificPopup\" href=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8764.jpeg\" data-lbwps-width=\"4032\" data-lbwps-height=\"3024\" data-lbwps-srcsmall=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8764-600x450.jpeg\"><img decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8764-1024x768.jpeg\" alt=\"\" class=\"wp-image-51427\" srcset=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8764-1024x768.jpeg 1024w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8764-600x450.jpeg 600w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8764-633x475.jpeg 633w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Photo by Alexander Tatiev<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Kiefer\u2019s large-scale works particularly impress. His 2019 \u201cStarry Night\u201d (yes, that famous one, but not the same) transforms into a textile cosmos of golden straw. It\u2019s not a straightforward interpretation, but rather an echo, a variation \u2014 a personal vision of that iconic night experienced from a different perspective. There are also smaller but no less significant pieces: Kiefer\u2019s early drawings made during his travels tracing Van Gogh\u2019s route are exhibited alongside the originals for the first time. Here, it\u2019s fascinating not so much to spot similarities but to witness the attempt to understand, to feel, to get closer.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a ref=\"magnificPopup\" href=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8763.jpeg\" data-lbwps-width=\"4032\" data-lbwps-height=\"3024\" data-lbwps-srcsmall=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8763-600x450.jpeg\"><img decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"51425\" src=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8763-1024x768.jpeg\" alt=\"\" class=\"wp-image-51425\" srcset=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8763-1024x768.jpeg 1024w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8763-600x450.jpeg 600w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8763-633x475.jpeg 633w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Photo by Alexander Tatiev<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a ref=\"magnificPopup\" href=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8770.jpeg\" data-lbwps-width=\"4032\" data-lbwps-height=\"3024\" data-lbwps-srcsmall=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8770-600x450.jpeg\"><img decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"51438\" src=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8770-1024x768.jpeg\" alt=\"\" class=\"wp-image-51438\" srcset=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8770-1024x768.jpeg 1024w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8770-600x450.jpeg 600w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8770-633x475.jpeg 633w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Photo by Alexander Tatiev<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Not all viewers may find this pairing easy to accept. Van Gogh is a near-mythical figure who needs no framing; Kiefer is an artist of another era, voice, and expression. But that contrast is the exhibition\u2019s point: not comparison, but conjunction. It\u2019s not a contest, but a duet. If Kiefer seems overwhelming at first, by the end it\u2019s clear he simply plays a different tune. Their \u201cdialogue\u201d is less a debate than two distinct answers to the same questions.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a ref=\"magnificPopup\" href=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8761.jpeg\" data-lbwps-width=\"3024\" data-lbwps-height=\"4032\" data-lbwps-srcsmall=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8761.jpeg\"><img decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8761-768x1024.jpeg\" alt=\"\" class=\"wp-image-51420\" srcset=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8761-768x1024.jpeg 768w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8761-450x600.jpeg 450w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8761-356x475.jpeg 356w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8761-600x800.jpeg 600w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8761-scaled.jpeg 1920w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><\/a><figcaption class=\"wp-element-caption\">Photo by Alexander Tatiev<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Once again, the Royal Academy proves its talent for organising exhibitions that not only showcase art but provoke, unsettle, and spark reflection on influence, memory, and resonance. Though separated by a century, Kiefer and Van Gogh\u2019s exhibition reveals how visual language can differ yet remain truthful at its core. There\u2019s no attempt to cast one as a continuation of the other \u2014 both speak personally, each in their own voice, and both speak compellingly.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a ref=\"magnificPopup\" href=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8766.jpeg\" data-lbwps-width=\"4032\" data-lbwps-height=\"3024\" data-lbwps-srcsmall=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8766-600x450.jpeg\"><img decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8766-1024x768.jpeg\" alt=\"\" class=\"wp-image-51436\" srcset=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8766-1024x768.jpeg 1024w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8766-600x450.jpeg 600w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/06\/img_8766-633x475.jpeg 633w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Photo by Alexander Tatiev<\/figcaption><\/figure>\n<\/div>\n\n\n<p><strong><em>Don\u2019t miss it: the exhibition opens June 28 and promises to be one of this summer\u2019s most talked-about art events.<\/em><\/strong><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>If you\u2019ve ever wondered what would happen if a German titan of postmodernism decided to deconstruct Van Gogh and reassemble his works into a new universe, now\u2019s your chance to see it in person. The Royal Academy of Arts in London is opening an exhibition presenting Anselm Kiefer \u2014 an honorary member \u2014 and Vincent Van Gogh side by side for the first time. Not just in the sense that \u201cboth hang in the same museum,\u201d but literally intertwined: they alternate, overlap, and engage in a dialogue. Not as teacher and student, but as two interlocutors meeting eye to eye while speaking different languages.<\/p>\n","protected":false},"author":66,"featured_media":51441,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[86],"tags":[],"type_post":[184],"column":[],"class_list":["post-51686","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture"],"_links":{"self":[{"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/posts\/51686","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/users\/66"}],"replies":[{"embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/comments?post=51686"}],"version-history":[{"count":0,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/posts\/51686\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/media\/51441"}],"wp:attachment":[{"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/media?parent=51686"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/categories?post=51686"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/tags?post=51686"},{"taxonomy":"type_post","embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/type_post?post=51686"},{"taxonomy":"column","embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/column?post=51686"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}