{"id":53609,"date":"2025-01-07T09:51:00","date_gmt":"2025-01-07T09:51:00","guid":{"rendered":"https:\/\/londoncult.co.uk\/?p=53609"},"modified":"2025-08-14T13:26:17","modified_gmt":"2025-08-14T12:26:17","slug":"the-texture-of-light-and-the-flesh-of-metal-a-new-project-at-the-russian-art-center","status":"publish","type":"post","link":"https:\/\/londoncult.co.uk\/en\/the-texture-of-light-and-the-flesh-of-metal-a-new-project-at-the-russian-art-center\/","title":{"rendered":"The Texture of Light and the Flesh of Metal: A New Project at the Russian Art Center"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Shaeva is a curator who does not arrange exhibitions \u201cby the book.\u201d Her projects in London and Russia are known for allowing different styles and techniques not just to coexist, but to enter into a thoughtful, deliberate conversation. Here, her curatorial credo is evident: minimal showiness, no \u201cinstallations for installation\u2019s sake,\u201d and a deep faith that the works themselves can hold a dialogue with the viewer \u2013 without propping them up with explanatory texts.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a ref=\"magnificPopup\" href=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/08\/img_1935.jpeg\" data-lbwps-width=\"533\" data-lbwps-height=\"800\" data-lbwps-srcsmall=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/08\/img_1935-400x600.jpeg\"><img decoding=\"async\" width=\"533\" height=\"800\" src=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/08\/img_1935.jpeg\" alt=\"\" class=\"wp-image-53597\" srcset=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/08\/img_1935.jpeg 533w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/08\/img_1935-400x600.jpeg 400w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/08\/img_1935-316x475.jpeg 316w\" sizes=\"(max-width: 533px) 100vw, 533px\" \/><\/a><figcaption class=\"wp-element-caption\">Photo from Valentina Shaevoy\u2019s personal archive<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">The concept is simple yet effective: when considered as parts of a whole, details can bring together under one roof what might otherwise seem incompatible. Ermolov, known for his meticulous, filigree brushwork, captures fleeting states of light and color in natural settings. Terzyan works with bronze, clay, and enamel, creating figures where human and natural elements are fused into a single form. The curator does not spoon-feed the viewer interpretations \u2013 the exhibition is arranged so that each artist (and, crucially, their interaction) can be read clearly without extra words.<\/p>\n\n\n<div class=\"wp-block-image vertical\">\n<figure class=\"aligncenter size-full\"><a ref=\"magnificPopup\" href=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/01\/img_2283.jpeg\" data-lbwps-width=\"1018\" data-lbwps-height=\"1440\" data-lbwps-srcsmall=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/01\/img_2283-424x600.jpeg\"><img decoding=\"async\" width=\"1018\" height=\"1440\" src=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/01\/img_2283.jpeg\" alt=\"\" class=\"wp-image-53631\" srcset=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/01\/img_2283.jpeg 1018w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/01\/img_2283-424x600.jpeg 424w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/01\/img_2283-724x1024.jpeg 724w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/01\/img_2283-336x475.jpeg 336w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/01\/img_2283-600x849.jpeg 600w\" sizes=\"(max-width: 1018px) 100vw, 1018px\" \/><\/a><figcaption class=\"wp-element-caption\">Photo from Valentina Shaevoy\u2019s personal archive<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Ermolov catches a moment and holds it in a brushstroke; Terzyan fixes a natural motif in a material that will endure across centuries. And yet, there is no opposition here between the two worlds of painting and sculpture. The ephemeral and the eternal converge at a single point, and this balance speaks more clearly than any explanation could.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a ref=\"magnificPopup\" href=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/01\/0d7a0501-9aba-4dfe-b331-73092fabbeb3.jpeg\" data-lbwps-width=\"1600\" data-lbwps-height=\"1451\" data-lbwps-srcsmall=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/01\/0d7a0501-9aba-4dfe-b331-73092fabbeb3-600x544.jpeg\"><img decoding=\"async\" width=\"1600\" height=\"1451\" src=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/01\/0d7a0501-9aba-4dfe-b331-73092fabbeb3.jpeg\" alt=\"\" class=\"wp-image-53648\" srcset=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/01\/0d7a0501-9aba-4dfe-b331-73092fabbeb3.jpeg 1600w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/01\/0d7a0501-9aba-4dfe-b331-73092fabbeb3-600x544.jpeg 600w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/01\/0d7a0501-9aba-4dfe-b331-73092fabbeb3-1024x929.jpeg 1024w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/01\/0d7a0501-9aba-4dfe-b331-73092fabbeb3-524x475.jpeg 524w\" sizes=\"(max-width: 1600px) 100vw, 1600px\" \/><\/a><figcaption class=\"wp-element-caption\">Ivan tea, artist Dmitry Ermolov<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">The exhibition operates with restraint, without theatrical effects. It imposes no route and does not rush the visitor forward \u2013 instead, it leaves them alone with the works, allowing them to study the gleam of bronze, the unevenness of a brushstroke, or the curve of a line. In this space, technique is not an end in itself \u2013 what is valued is the increasingly rare skill in contemporary art: the ability to slow down and observe attentively.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a ref=\"magnificPopup\" href=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/01\/f8d01bc6-2604-407a-96f5-4424bdb4ff51.jpeg\" data-lbwps-width=\"1200\" data-lbwps-height=\"1600\" data-lbwps-srcsmall=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/01\/f8d01bc6-2604-407a-96f5-4424bdb4ff51-450x600.jpeg\"><img decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/01\/f8d01bc6-2604-407a-96f5-4424bdb4ff51-768x1024.jpeg\" alt=\"\" class=\"wp-image-53644\" srcset=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/01\/f8d01bc6-2604-407a-96f5-4424bdb4ff51-768x1024.jpeg 768w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/01\/f8d01bc6-2604-407a-96f5-4424bdb4ff51-450x600.jpeg 450w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/01\/f8d01bc6-2604-407a-96f5-4424bdb4ff51-356x475.jpeg 356w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/01\/f8d01bc6-2604-407a-96f5-4424bdb4ff51-600x800.jpeg 600w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/01\/f8d01bc6-2604-407a-96f5-4424bdb4ff51.jpeg 1200w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><\/a><figcaption class=\"wp-element-caption\"> Forest Gin, artist Karen Terzyan<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Valentina Shaeva invites us to perceive beauty not as a philosophical abstraction, but as a physical experience \u2013 immediate, tangible. And as visitors leave the gallery, they carry with them not just specific images, but a sense of completion and inner order. Which, after all, is exactly what the exhibition\u2019s title promised \u2013 and in this case, the promise has been fulfilled.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Dates and Venue:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022&nbsp;<strong>Opening night<\/strong>: Thursday, 16th January 2025, 7 pm \u2013 9pm;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022&nbsp;<strong>Exhibition dates<\/strong>: 17th and 18th January 2025, 11am \u2013 8pm;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022&nbsp;<strong>Address\u2019s<\/strong>: 7 Kensington Mall, London, W8 4EB<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022&nbsp;<strong>Free admission<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>For more information:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Website:&nbsp;<a href=\"http:\/\/www.russianartcenterinlondon.com\/\" rel=\"nofollow noopener\" target=\"_blank\"><strong>www.russianartcenterinlondon.com<\/strong><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Instagram:<a href=\"https:\/\/www.instagram.com\/russian_art_center?igsh=dGk4ejkzMWg1eXB2\" rel=\"nofollow noopener\" target=\"_blank\"><strong>&nbsp;@russian_art_center<\/strong><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Email:&nbsp;<a href=\"mailto:russianartcenter@gmail.com\"><strong>russianartcenter@gmail.com<\/strong><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Phone:&nbsp;<a href=\"tel:+44%20738%20447%2019%2013\"><strong>+44 738 447 19 13<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>London, Russian Art Center in stylish Kensington. Here, the group exhibition Harmony in Details: The Metaphysics of Beauty\u00a0brings together the bronze of Karen Terzyan (Armenia) and the paintings of Dmitry Ermolov (Russia). At first glance, these are two entirely different artistic continents: romantic neo-impressionism and the silent permanence of bronze. Yet curator Valentina Shaeva chose to bring these artists into a single dialogue, where the light captured in the paintings and the texture of the canvas resonate in unison with the plasticity and multicolored surfaces of the metal.<\/p>\n","protected":false},"author":66,"featured_media":53642,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[86],"tags":[],"type_post":[184],"column":[],"class_list":["post-53609","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture"],"_links":{"self":[{"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/posts\/53609","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/users\/66"}],"replies":[{"embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/comments?post=53609"}],"version-history":[{"count":0,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/posts\/53609\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/media\/53642"}],"wp:attachment":[{"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/media?parent=53609"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/categories?post=53609"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/tags?post=53609"},{"taxonomy":"type_post","embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/type_post?post=53609"},{"taxonomy":"column","embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/column?post=53609"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}