{"id":57110,"date":"2025-10-21T16:52:54","date_gmt":"2025-10-21T15:52:54","guid":{"rendered":"https:\/\/londoncult.co.uk\/?p=57110"},"modified":"2025-10-21T16:52:59","modified_gmt":"2025-10-21T15:52:59","slug":"five-cozy-shows-for-the-rest-of-autumn","status":"publish","type":"post","link":"https:\/\/londoncult.co.uk\/en\/five-cozy-shows-for-the-rest-of-autumn\/","title":{"rendered":"Five cozy shows for the rest of autumn"},"content":{"rendered":"\n<h4 class=\"wp-block-heading has-text-align-center\"><strong>The Devil Wears Prada<\/strong><strong><\/strong><\/h4>\n\n\n\n<p class=\"has-text-align-center\"><strong>Dominion Theatre, 268\u2013269 Tottenham Court Road<\/strong><strong><\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a ref=\"magnificPopup\" href=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/10\/img_9562.webp\" data-lbwps-width=\"960\" data-lbwps-height=\"720\" data-lbwps-srcsmall=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/10\/img_9562-600x450.webp\"><img decoding=\"async\" width=\"960\" height=\"720\" src=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/10\/img_9562.webp\" alt=\"\" class=\"wp-image-57085\" srcset=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/10\/img_9562.webp 960w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/10\/img_9562-600x450.webp 600w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/10\/img_9562-633x475.webp 633w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/><\/a><figcaption class=\"wp-element-caption\">Photo by <em>londontheatre.co.uk<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p>If you love the old film The Devil Wears Prada with Meryl Streep, Anne Hathaway and Emily Blunt, this is the place to indulge your nostalgia. Don\u2019t expect deep meaning \u2014 the production is more like a jewelry box of memories, filled with beloved quotes and favorite moments from the movie, and that\u2019s precisely its charm.<\/p>\n\n\n\n<p>The book was written by Shaina Taub and Mark Sonnenblick, based on Kate Wetherhead\u2019s adaptation, and directed by Jerry Mitchell. The show has been running for a year \u2014 it was even opened by Elton John himself, who composed the score. Majestic and glittering, Elton posed under the giant red stiletto mounted above the theatre\u2019s entrance.<\/p>\n\n\n\n<p>There are no \u201cinstant-hit\u201d songs that will stick in your head, but what you get is two and a half hours of finely crafted musical theatre, carried by Sir Elton\u2019s melodies and Vanessa Williams\u2019s imperious Miranda Priestly. Honestly, it\u2019s a lovely way to spend a rainy autumn evening \u2014 and to enjoy Georgie Buckland, Amy Di Bartolomeo, Matt Henry and the rest of the talented cast. The costumes and sets are stunning, the dancing fantastic, the vocals top-notch. Let\u2019s save the deep philosophy for another season, shall we?<\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\"><strong>The Producers<\/strong><strong><\/strong><\/h4>\n\n\n\n<p class=\"has-text-align-center\"><strong>Garrick Theatre, 2 Charing Cross Road<\/strong><strong><\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a ref=\"magnificPopup\" href=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/10\/img_9563.jpeg\" data-lbwps-width=\"1240\" data-lbwps-height=\"698\" data-lbwps-srcsmall=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/10\/img_9563-600x338.jpeg\"><img decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/10\/img_9563-1024x576.jpeg\" alt=\"\" class=\"wp-image-57088\" srcset=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/10\/img_9563-1024x576.jpeg 1024w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/10\/img_9563-600x338.jpeg 600w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/10\/img_9563-844x475.jpeg 844w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/10\/img_9563.jpeg 1240w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Photo by <em>thegarricktheatre.co.uk<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p>\u201cBrilliant,\u201d \u201csparkling,\u201d \u201chilarious\u201d \u2014 critics and audiences can\u2019t seem to praise this show enough. It\u2019s an adaptation of Mel Brooks\u2019s classic 1967 film. Theatre about theatre always has a special backstage magic \u2014 The Producers tells the story of two scheming Broadway producers, Max Bialystock and Leo Bloom, who plan to get rich by staging the worst show ever made\u2026 only for it to become a smash hit.<\/p>\n\n\n\n<p>It\u2019s truly funny \u2014 even when the jokes tiptoe to the edge of bad taste. Yet even the boldest gags land smoothly, and you never feel awkward laughing. Under Tony Award-winner Patrick Marber\u2019s direction, the characters are vivid and energetic, radiating genuine comic spirit \u2014 the kind that leaves you with the feeling of \u201claughter yoga.\u201d<\/p>\n\n\n\n<p>Andy Nyman as Max and Marc Antolin as Leo are both superb. Spend a lighthearted evening at the theatre \u2014 and take a peek behind the curtain while you\u2019re at it.<\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\"><strong>My Neighbour Totoro<\/strong><strong><\/strong><\/h4>\n\n\n\n<p class=\"has-text-align-center\"><strong>Gillian Lynne Theatre, 166 Drury Lane<\/strong><strong><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"My Neighbour Totoro | Official Trailer\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/cDqU1BS99j4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>First of all \u2014 it\u2019s beautiful! Adult audiences return again and again to Totoro, eager to step back into that tender, magical story where everything turns out fine. On a languid, golden London autumn day, who really wants to overthink \u201ckidult\u201d culture anyway?<\/p>\n\n\n\n<p>Now celebrating its first anniversary, the musical features the original score by Joe Hisaishi from Studio Ghibli\u2019s beloved film. The stage adaptation was written by Tom Morton-Smith (Oppenheimer), directed by two-time Olivier Award winner Phelim McDermott. It\u2019s witty and technically dazzling \u2014 discovering how Basil Twist\u2019s puppetry magic works is a joy in itself.<\/p>\n\n\n\n<p>Mei Mac plays young Mei, and Ami Okumura Jones portrays Satsuki. Even if you\u2019re a die-hard Miyazaki fan wary of any reinterpretation, this production will not disappoint \u2014 it\u2019s tender, inventive, and absolutely enchanting.<\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\"><strong>Ballet Shoes<\/strong><strong><\/strong><\/h4>\n\n\n\n<p class=\"has-text-align-center\"><strong>Olivier Theatre, National Theatre, South Bank<\/strong><strong><\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a ref=\"magnificPopup\" href=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/10\/img_9564.png\" data-lbwps-width=\"1600\" data-lbwps-height=\"1200\" data-lbwps-srcsmall=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/10\/img_9564-600x450.png\"><img decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/10\/img_9564-1024x768.png\" alt=\"\" class=\"wp-image-57093\" srcset=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/10\/img_9564-1024x768.png 1024w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/10\/img_9564-600x450.png 600w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/10\/img_9564-633x475.png 633w, https:\/\/londoncult.co.uk\/wp-content\/uploads\/2025\/10\/img_9564.png 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Photo by <em>londontheatre.co.uk<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p>Director Katy Rudd\u2019s staging might look like a children\u2019s story, but, as with all great works, it speaks on two levels \u2014 one for children, one for adults. Three adopted daughters of an eccentric explorer grow up and dream, each in her own way.<\/p>\n\n\n\n<p>Playwright Kendall Feaver has adapted Noel Streatfeild\u2019s classic novel Ballet Shoes, beloved by generations of English readers. The girls face the challenges of growing up and the need to work to keep their home, but they do it with love and hope.<\/p>\n\n\n\n<p>The National Theatre production is visually rich, filled with imaginative scenic details. There\u2019s so much happening that you can\u2019t catch every light cue or costume change \u2014 and that layered texture is part of the charm.<\/p>\n\n\n\n<p>Now in its second season on the South Bank, <a href=\"https:\/\/www.londontheatre.co.uk\/show\/43183-ballet-shoes\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Ballet Shoes<\/a> returns for a festive winter run. Of special note is the Russian ballerina Madame Fidolia (again performed \u2014 exquisitely, without caricature \u2014 by Justin Salinger). Fidolia, who fled the revolution with a single suitcase and rebuilt herself abroad through dedication and love of her art, gives the story its soul.<\/p>\n\n\n\n<p>Also, this season\u2019s Sylvia is played by Anoushka Lucas, who recently dazzled audiences with her solo show Elephant. A heart-warming performance in every sense.<\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\"><strong>Just for One Day<\/strong><strong><\/strong><\/h4>\n\n\n\n<p class=\"has-text-align-center\"><strong>Shaftesbury Theatre, 210 Shaftesbury Avenue<\/strong><strong><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Just For One Day - The Live Aid Musical | Official Trailer\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/5SkGYrtqGOo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>A <a href=\"https:\/\/www.shaftesburytheatre.com\/events\/just-for-one-day-live-aid-musical\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">musical<\/a> about the legendary Live Aid concert, held on 13 July 1985 at Wembley Stadium in London and simultaneously at John F. Kennedy Stadium in Philadelphia. Conceived and driven by musician and activist Bob Geldof, the festival was born from his shock at the famine in Africa. Propelled by compassion, he gathered the greatest stars of the era, recorded Do They Know It\u2019s Christmas?, and within six months organized a global benefit event.<\/p>\n\n\n\n<p>It\u2019s an incredible true story \u2014 touched upon in film (Bohemian Rhapsody), and now celebrated on stage.<\/p>\n\n\n\n<p>Directed by Luke Sheppard, Just for One Day has been a West End success for two seasons. Craige Els (Doctor Who, Matilda the Musical) plays Geldof as a passionate, romantic idealist. (And yes \u2014 the real Bob Geldof loved the show and is sometimes spotted in the audience!)<\/p>\n\n\n\n<p>From the first moments, the crowd sings along \u2014 \u201cI\u2019m Still Standing,\u201d \u201cMessage in a Bottle,\u201d \u201cWe Will Rock You.\u201d This is true jukebox theatre \u2014 a musical machine packed with beloved hits, blasting at full volume. Pure joy!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This autumn is unusually beautiful \u2014 quiet, bright, and warm. It makes you long for something calm and picturesque: walking in the park in a chunky knit sweater, baking pumpkin pies, sipping cocoa while sitting on the windowsill. You could also pet a cat, but since not everyone has one (or a dog), we suggest you go to the theatre and look at the soft and cuddly Totoro instead. Our selection includes no heavy tragedies \u2014 only musicals and dramatic plays filled with songs and dance. And everything ends well \u2014 at least as well as it possibly can.<\/p>\n","protected":false},"author":91,"featured_media":57082,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[86],"tags":[],"type_post":[184],"column":[],"class_list":["post-57110","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture"],"_links":{"self":[{"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/posts\/57110","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/users\/91"}],"replies":[{"embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/comments?post=57110"}],"version-history":[{"count":0,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/posts\/57110\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/media\/57082"}],"wp:attachment":[{"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/media?parent=57110"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/categories?post=57110"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/tags?post=57110"},{"taxonomy":"type_post","embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/type_post?post=57110"},{"taxonomy":"column","embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/column?post=57110"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}