{"id":60062,"date":"2026-01-14T14:54:48","date_gmt":"2026-01-14T14:54:48","guid":{"rendered":"https:\/\/londoncult.co.uk\/?p=60062"},"modified":"2026-01-14T14:54:53","modified_gmt":"2026-01-14T14:54:53","slug":"soul-saving-musicals-london-theatres-in-january","status":"publish","type":"post","link":"https:\/\/londoncult.co.uk\/en\/soul-saving-musicals-london-theatres-in-january\/","title":{"rendered":"Soul-Saving Musicals: London Theatres in January"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">But there\u2019s a better option \u2014 go to the theatre. They even say that going to the theatre cuts the risk of depression in half. We\u2019ve picked several musicals for you that, we hope, won\u2019t just avoid disappointing you, but will also give you renewed strength.<\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">The Phantom of the Opera<\/h4>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Her Majesty\u2019s Theatre<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">57 Haymarket, London, SW1Y 4QL<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Phantom London 2023 | The Phantom of the Opera\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/rvad4InaBc4?start=1&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">A story of love, passion, and all sorts of terrible theatrical secrets! Andrew Lloyd Webber\u2019s <a href=\"https:\/\/uk.thephantomoftheopera.com\/?_gl=1*1e5x4kx*_gcl_au*NzExNTQzOTY1LjE3NjgzMTcwMDE.*_ga*MTE2MzcxMDYzNC4xNzY4MzE3MDAx*_ga_BN6NC45MCJ*czE3NjgzMTcwMDIkbzEkZzAkdDE3NjgzMTcwMDIkajYwJGwwJGgw#_ga=2.39085478.404319514.1768317003-1163710634.1768317001\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">legendary musical<\/a> has been running in London\u2019s West End since 1986. The premiere nearly forty years ago quickly became wrapped in myths and legends. Some say the famous chandelier almost fell on the terrified audience (nonsense); others claim the audience listened to the second act standing up, overwhelmed by emotion (let\u2019s assume that\u2019s true!); still others whisper about some mysterious spirit roaming the corridors and scaring the theatre staff \u2014 even Michael Crawford, the first Phantom, allegedly fainted.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">We\u2019ll never believe that one \u2014 but Crawford was genuinely stunned by the colossal success and the feverishly passionate reception the show received, so much so that, according to eyewitnesses, he looked a bit\u2026 shell-shocked. Christine in that original production was played by Sarah Brightman, who rightfully entered the hall of fame of British theatre.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Since then, The Phantom of the Opera has been performed regularly at Her Majesty\u2019s Theatre. Of course, this is no longer that original version \u2014 but that doesn\u2019t mean the show has become worse. Yes, today you\u2019ll hear a reduced orchestration, and the sets are simpler \u2014 but we assure you, this doesn\u2019t diminish the spectacle. The audience still gasps, still erupts into wild applause, and some spectators still burst into tears quite sincerely, despite the universally known plot. The story may be familiar \u2014 but the emotions remain the same. That\u2019s why we love it, after all \u2014 not just for the plot!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In the current cast: Dean Chisnall as the Phantom, Lily Kerhoas as Christine, and Adam Rhys-Charles as Raoul.<\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">Hamilton<\/h4>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Victoria Palace Theatre<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">79 Victoria Street, London, SW1E 5EA<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a ref=\"magnificPopup\" href=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2026\/01\/hamilton-poster.jpg\" data-lbwps-width=\"267\" data-lbwps-height=\"373\" data-lbwps-srcsmall=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2026\/01\/hamilton-poster.jpg\"><img decoding=\"async\" width=\"267\" height=\"373\" src=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2026\/01\/hamilton-poster.jpg\" alt=\"\" class=\"wp-image-59889\" style=\"width:442px;height:auto\"><\/a><figcaption class=\"wp-element-caption\">Photo by Wikimedia<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Lin-Manuel Miranda\u2019s <a href=\"https:\/\/hamiltonmusical.com\/london\/?tx_inline_iframe=%2Fdate-selection&amp;tx_sessionDataId=a370d1ca-6881-47fa-b7ae-cd797346a920\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">musical<\/a> about the life of Alexander Hamilton has become one of the major theatrical phenomena of the 21st century. Unlike The Phantom of the Opera, the set here is minimalist \u2014 no chandeliers or moving statues. And yet it overwhelms the audience just as powerfully as Webber\u2019s musical once did, because both fundamentally reshaped audience expectations in their respective eras.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Just imagine: a journey from a single song at a piano to Tony, Grammy, and Pulitzer Prizes! Rap battles as political duels \u2014 paired with magnificent voices. Miranda was already a successful composer by then: he had written his first hit In the Heights (winner of four Tony Awards) and the soundtrack for Moana. Then he read a book about Hamilton, and the life story of one of America\u2019s Founding Fathers began to haunt him.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The musical grew out of a single song that Miranda himself performed, without yet having any idea of the monumental project it would become.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">What\u2019s especially interesting is this: Hamilton\u2019s tragic fate \u2014 his death in a duel (sorry, that\u2019s a well-known historical fact, not a spoiler!) \u2014 is not the final moment of the show. The ending is something else entirely: the great \u201cWho Lives, Who Dies, Who Tells Your Story,\u201d where Hamilton, already beyond the boundary of life, meets Eliza \u2014 and they are together again, this time forever.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fans know the lyrics by heart, audiences come back again and again \u2014 a time-tested phenomenon (catch it before March!). Alex Sawyer plays Hamilton at the Victoria Palace Theatre, Nathania Ong is Eliza, Jay Perry is Aaron Burr, and Jonathan Andrew Hume plays George Washington.<\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">MJ The Musical<\/h4>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Prince Edward Theatre<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">28 Old Compton Street, London, W1D 4HS<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a ref=\"magnificPopup\" href=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2026\/01\/mj_musical.png\" data-lbwps-width=\"263\" data-lbwps-height=\"379\" data-lbwps-srcsmall=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2026\/01\/mj_musical.png\"><img decoding=\"async\" width=\"263\" height=\"379\" src=\"https:\/\/londoncult.co.uk\/wp-content\/uploads\/2026\/01\/mj_musical.png\" alt=\"\" class=\"wp-image-59890\" style=\"width:312px;height:auto\"><\/a><figcaption class=\"wp-element-caption\">Photo by Wikimedia<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/london.mjthemusical.com\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">A show about the myth<\/a> \u2014 and the human being inside that thin yet incredibly rigid shell. MJ focuses on the period leading up to the Dangerous World Tour: Michael is drowning in rehearsals, pushing himself mercilessly, torn apart by an inner conflict between perfectionism and humanity. The story doesn\u2019t reach the later investigations or accusations. This is not an attempt to solve Michael\u2019s life \u2014 it\u2019s an invitation to observe how an ingrained sense of inadequacy and relentless personal violence can turn someone into\u2026 a global superstar? Or a lost little boy?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">How is a genius born \u2014 and what price does he pay? Themes of guilt, fear, and pressure flicker through Michael\u2019s memories of childhood, and it\u2019s no coincidence that the toxic manager forcing an utterly exhausted artist to work more and more resembles Joseph Jackson. The audience knows what lies ahead \u2014 the characters don\u2019t. And that creates a powerful, almost tragic tension.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">At the heart of MJ The Musical is a truly unique performer who delivers one of the most striking musical portraits of a real person ever seen on stage. Jamaal Fields-Green plays Michael with such total immersion that it feels as if this isMichael. He seems to retain his own vocal timbre (Jamaal is, incidentally, a successful solo artist), yet you completely believe in a kind of \u201ctransmigration of souls.\u201d Professional musicians, by the way, are equally impressed \u2014 there\u2019s no caricature here, no Your Face Sounds Familiar energy; this is serious acting.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Speaking of his solo career: Jamaal Fields-Green releases music under the name J. Hasan \u2014 original R&amp;B with pop elements. Soft, emotional melodies with flowing rhythms: not harsh, not aggressive hip-hop, but music full of deep personal reflection.<\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">Oliver!<\/h4>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Gielgud Theatre<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">35\u201337 Shaftesbury Avenue, London, W1D 6AR<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Oliver! Trailer 90 secs\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/CEq7akyr6Lk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Have you noticed that all the previous shows we\u2019ve mentioned today deal with the nature of power? Hamilton is obvious \u2014 that\u2019s literal power. In The Phantom of the Opera, too: the Phantom is the king, ruling from the heart of his dark kingdom \u2014 the theatre. And MJ as well: it seems as though Michael holds power over the roaring audience, but in reality he\u2019s a sad Pierrot in the hands of his own manager.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Oliver! at the Gielgud Theatre, surprisingly, also belongs in this conversation about power and pressure \u2014 but it tells a story with a fundamentally different outcome. In essence, it\u2019s one of the harshest stories about power over a child in musical theatre, based on Dickens\u2019s famous novel, long since a world classic.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">After the previous three shows, this feels almost like a therapy session \u2014 despite all the horrors of the narrative. Institutional violence? Certainly: behold the workhouse, where the tools of control are food, labor, and constant fear \u2014 including fear of death.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Organized crime exploiting minors? Absolutely: meet the \u201caffectionate tyrant\u201d Fagin (brilliantly played by Simon Lipkin), a manipulator and villain.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Yes, all of this is masked by Lionel Bart\u2019s great songs, which lodge themselves permanently in the memory. Who among us hasn\u2019t suddenly caught themselves humming Food, Glorious Food while grabbing some street food on the go?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">But the horror of what\u2019s happening can\u2019t truly be concealed. Oliver is saved \u2014 through friendship, sincere care, and genuine love. Poor Nancy \u2014 only seventeen \u2014 won\u2019t be saved in time.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">By the way, London is also currently hosting another musical about a child and a miraculous rescue. Guessed it? Right \u2014 Matilda by Tim Minchin.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cast highlights: Fagin \u2014 Simon Lipkin, Nancy \u2014 Shanay Holmes, the monstrous Bill \u2014 Aaron Sidwell, and Oliver is played in rotation by William Barker, Sebastian Elton, Isaac Nelson, and Odo Rowntree-Bailly.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Whispered aside: the choreography is by Matthew Bourne \u2014 absolutely worth seeing, perhaps more than once.)<\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">SIX<\/h4>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Vaudeville Theatre<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">404 Strand, London, WC2R 0NH<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"SIX The Musical | Tony Awards Performance\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/egqqtAo8WSI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Toby Marlow and Lucy Moss came up with <a href=\"https:\/\/sixthemusical.com\/london\/tickets\/?gad_source=1&amp;gad_campaignid=20905791786&amp;gbraid=0AAAAACLzVXwBEHeIjLK9QQbJ34QhsCPI8&amp;gclid=CjwKCAiA95fLBhBPEiwATXUsxEnVGiA4ilOQW2Jj7mXQ_9W9tWeec9vx6EGrZFE574s5pMvwkuvpjxoCVkAQAvD_BwE\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">SIX<\/a> while they were students at Cambridge. Imagine this: it started almost as a joke \u2014 just a small student project, not a \u201cbig producer musical\u201d at all. And then \u2014 boom. Success followed after the Edinburgh Festival, a launchpad for countless major theatre hits.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">SIX is also about power \u2014 the power of King Henry VIII. But the famous English king never appears on stage, and the concept of power is suddenly turned upside down. Officially, SIX tells the story of Henry\u2019s six wives (remember the faceless formula: Divorced \u2013 Beheaded \u2013 Died \u2013 Divorced \u2013 Beheaded \u2013 Survived). In reality, it gives voices back to those who were stripped of them.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The tyrant exists here in trauma, jokes, and songs \u2014 looming over the stage like a vast invisible shadow. And it\u2019s precisely that shadow the women confront. All those numbered labels \u2014 \u201cwife #1,\u201d \u201cwife #2,\u201d \u201cexecuted \/ died\u201d \u2014 disappear. In the musical, they have real, living voices.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Power in the universe of SIX ceases to be vertical. The women find common ground, realizing they have no obligation to compete in pain, trauma, influence, or legacy. Their shared husband set the rules of the game \u2014 rules they can now bypass. Look at that \u2014 yet another musical about the nature of power!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Here, Henry\u2019s wives aren\u2019t a formula \u2014 they\u2019re six pop divas. What a twist. In SIX, history belongs to women, not to those who wielded power. Six equally leading roles \u2014 no single \u201cqueen.\u201d There\u2019s also an onstage band, the Ladies-in-Waiting \u2014 all women, all in costumes (not anonymous black hoodies), not hidden in the orchestra pit, not shyly concealed behind curtains.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">And how could we not list the actresses? Catherine of Aragon \u2014 Jaz Robinson, Anne Boleyn \u2014 Thao Therese Nguyen, Jane Seymour \u2014 Hana Stewart, Anne of Cleves \u2014 Dionne Ward-Anderson, Katherine Howard \u2014 Caitlyn De Kuyper, Catherine Parr \u2014 Amelia Kinu Muus.<\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">The Unlikely Pilgrimage of Harold Fry<\/h4>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Theatre Royal Haymarket<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">18 Suffolk Street, London, SW1Y 4HT<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Noah Mullins - Here\u2019s One For The Road (FULL SONG) \" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/C7mm4cI4Fys?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">This is <a href=\"https:\/\/haroldfrymusical.com\/your-visit\/?gad_source=1&amp;gad_campaignid=23074485248&amp;gbraid=0AAAAA-18TCt5zoh5zqmCtj0oE9OzQXdsY&amp;gclid=CjwKCAiA95fLBhBPEiwATXUsxD9G6zEbFxvv2dFX5Q1kB7Fx3thCFZGy80iBb3Rjx6WQ8QZFgryfURoCRwMQAvD_BwE\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">a new musical with original music<\/a> and lyrics by British singer Passenger (remember Let Her Go and Holes?), directed by Katy Rudd. Last spring, the show was staged at the Chichester Festival Theatre, where it received a very warm reception.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Of course, you recognize the title \u2014 it\u2019s based on Rachel Joyce\u2019s 2012 bestseller The Unlikely Pilgrimage of Harold Fry(Joyce herself wrote the musical\u2019s book). Last year, director Hettie Macdonald released a film adaptation starring Jim Broadbent and Penelope Wilton. And now \u2014 the musical.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">It must be said: this is an astonishingly gentle transformation of a literary work. The music is tender and beautiful, and the show avoids preaching or judgment altogether. That said, it is quite heartbreaking.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">An ordinary, unremarkable man \u2014 very much like Chekhov\u2019s \u201clittle man\u201d \u2014 suddenly, almost accidentally, sets off on an extraordinary walking journey across the entire country. Where to? To visit someone. Whom? An old friend. Many years ago, Harold lacked the emotional strength to support his friend Maureen in her grief. He simply vanished \u2014 stopped writing. He couldn\u2019t cope, didn\u2019t know how.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">And now, stepping out for an ordinary daytime walk, he suddenly sets off for the far end of England \u2014 because Maureen has very little time left to live.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">It\u2019s a story about love, forgiveness, hope, and human warmth. Of course, Harold can\u2019t save Maureen, can\u2019t change the past \u2014 but through this act, the quiet Odysseus reclaims himself.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cSometimes the most frightening thing is the silence between people. And the bravest thing is deciding to break it.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Harold is played by Mark Addy (a strikingly unexpected role for audiences who remember his boisterous Robert Baratheon from Game of Thrones), while Maureen is portrayed by the not just famous but truly magnificent Jenna Russell (EastEnders, Call the Midwife). The narrator is the irresistibly charming Australian actor Noah Mullins.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The holidays are over. It\u2019s cold outside. Everyone seems to have already taken down their Christmas trees. The world feels like it\u2019s sliding into some kind of unspeakable nightmare. Tax returns need to be filed. Taxes paid. And what about those post-holiday bills? One is tempted to sit down, bury one\u2019s face in a pillow, and start whining.<\/p>\n","protected":false},"author":91,"featured_media":60061,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[86],"tags":[],"type_post":[184],"column":[185],"class_list":["post-60062","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","column-letters-from-the-theatre"],"_links":{"self":[{"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/posts\/60062","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/users\/91"}],"replies":[{"embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/comments?post=60062"}],"version-history":[{"count":2,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/posts\/60062\/revisions"}],"predecessor-version":[{"id":60076,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/posts\/60062\/revisions\/60076"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/media\/60061"}],"wp:attachment":[{"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/media?parent=60062"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/categories?post=60062"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/tags?post=60062"},{"taxonomy":"type_post","embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/type_post?post=60062"},{"taxonomy":"column","embeddable":true,"href":"https:\/\/londoncult.co.uk\/en\/wp-json\/wp\/v2\/column?post=60062"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}