Planning flights grows more complicated every time. Once, a forty-minute connection at Munich’s vast airport wouldn’t have worried me. Now, three hours between flights in Istanbul can easily become a…
Georgina Collins’ one-woman show Succubus enjoyed tremendous success at this year’s Edinburgh Fringe and has now transferred to London, to the small venue Courtyard Theatre, which frequently hosts experimental theatre.
Two actors at a table. A black backdrop. A lamp between them. In the London rehearsed reading of Natalia Rubtsova’s Happy Families (originally titled MGUshniki in Russian), the lamp appeared…
In the south of Switzerland, just above the Italian border, lies a city that looks like a postcard. Lugano. A lake with glassy water, soft alpine contours, pastel façades, and…
The interview with British playwright Simon Stephens took place in February 2024 just before the National Theatre Live broadcast of Vanya, the production of Sam Yates starring Andrew Scott. The…
Some seven or eight years ago, at TEFAF in Maastricht, a colleague drew my attention to a group of steel-and-gold brooches of intricate texture by the American jeweller Daniel Brush.…